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The seventh seal... silence in heaven. Revelation 8 The silence of heaven J. E. C. Welldon, M. A. I. THE SILENCE OF MEDITATION. There is a blessing, which we know not yet, in thought. In this busy human life it is hard to think. "The world is too much with us." It drowns the "still small voice" of God. But in heaven thought will no more be disturbed. There will be no unsolved perplexities, no distracting fancies. The plan of Creation and Redemption will be unfolded. The discords of earth will be resolved in the celestial harmony. II. THE SILENCE OF ADORATION. When we see God as He is, we shall praise Him as we ought. The cloud which spreads between Him and us shall be done away. We shall enter into that rapture of worship which finds no voice in words. Our soul will lose itself in the infinite bliss of communion with Him who is its Father and its God. III. THE SILENCE OF FRUITION. All the voices of earth are only so many cryings for something that is not of earth, but of heaven. They are expressions of a Divine dissatisfaction with the limitations of our human life. Is there not something that we all desire and cry out for — to be rich, perhaps, or successful, or happy, or good? And will it not always be a desire, never fulfilled? Could the dearest wish of our heart be granted to-day, another wish, still dearer, would arise to-morrow. Every new day dawns with a fresh purity upon our lives, but in the evening it is stained with failure and sin. We are always sighing for a holiness which is always unattained and unattainable. Nay, the blessings which God gives us do not last long. Over all our life there hangs the shadow of death. We are always dreading to speak that saddest, tenderest word on earth, "Farewell." There is "silence in heaven," because there is no loss nor any boding fear of parting still to come. They who live in the Divine Presence are sheltered from the storms of time. They are safe for ever and ever. ( J. E. C. Welldon, M. A. )

Benson Commentary Revelation 8:1 And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. Revelation 8:1 . And when he had opened the seventh seal — This seal is introductory to the trumpets contained under it, as the seventh trumpet introduces the vials which belong to it. The period, therefore, of this seal is of much longer duration, and comprehends many more events, than any of the former seals. It comprehends, indeed, seven periods, distinguished by the sounding of seven trumpets. There was silence in heaven about half an hour — This seems to have been intended, not only as an interval and pause, as it were, between the foregoing and the succeeding revelations, distinguishing in a remarkable manner the seventh seal from the six preceding; but as expressive of the solemn expectation excited on this occasion of great events about to be revealed. And the time of this silence being only half an hour, it seems, was intended to signify that the peace of the church would continue for a short season only, which was the case, namely, during the last fifteen years of Constantine’s reign, from A.D. 323 to A.D. 337. Of this silence some expositors think they find a figure in the following ceremonies of the Jews, mentioned by Philo. The incense, in the worship of God in the temple, used to be offered before the morning and after the evening sacrifice: and while the sacrifices were made, ( 2 Chronicles 29:25-28 ,) the voices, and instruments, and trumpets sounded; while the priest went into the temple to burn incense, ( Luke 1:10 ,) all were silent, and the people prayed without in silence or to themselves. Now this was the morning of the church, and therefore the silence precedes the sounding of the trumpets. Revelation 8:2 And I saw the seven angels which stood before God; and to them were given seven trumpets. Revelation 8:2-3 . And I saw the seven angels — I beheld further in my vision seven chief angels, instruments especially designed of God for a very important service, now to be declared; which stood — Or were standing; before God — To receive and execute his commands, after the manner of the great princes of the East, who used to be so attended by the chief officers of their courts. And to them were given seven trumpets — To sound an alarm, and give warning to the nations of approaching judgments. And another angel came — Representing, it seems, the great High-Priest of the church. The Lamb was emblematical of Christ, as a sacrifice for us, and this angel represented him in his priestly office as offering up to God the prayers of all the saints, recommended by his intercessions; having a golden censer — Signifying his mediatorial office. And there was given unto him much incense — An emblem of his great merits, and power with God; that he should offer it with, or add it to, the prayers of the saints upon the golden altar — The altar of incense; which was before the throne — There being in this representation of the divine presence no veil, and so no distinction between the holy and most holy place “The great angel of the covenant,” says Bishop Hall, “came and stood as the High-Priest of his church before the altar of heaven, and many holy and effectual prayers were offered unto him, that he might by his merciful mediation present them to God the Father.” “Some have thought,” says Doddridge, “that this is a plain intimation of the doctrine of the intercession of the angels, which is urged to have been an erroneous Jewish notion; and those who imagine it to be taught here, have made it an argument against the inspiration of this book. But I rather agree with those interpreters who consider this angel as an emblem of Christ. If we were indeed to consider Christ as appearing in the shape of a lamb, this would be a difficulty; but it does not appear at all absurd to me, that while the efficacy of Christ’s atonement was represented by a lamb slain, his intercession consequent upon it should be represented by an angel offering the incense; which seems only a symbolical or hieroglyphical declaration of this truth, that the prayers of the saints on earth are rendered acceptable to God by the intercession of one in heaven, who appears as a priest before God: just as the vision of the Lamb represents to us that a person of perfect innocence, and of a most gentle and amiable disposition, eminently adorned and enriched with the Spirit of God, has been offered as a sacrifice; and is, in consequence of that, highly honoured on the throne of God. But who this important victim and this intercessor is, we are to learn elsewhere; and we do learn that both these offices met in one, and that this illustrious person is Jesus the Son of God. As the golden altar made a part of the scene, there was a propriety in its appearing to be used, and the time of praying was the hour of incense. This vision may probably be designed to intimate, that considering the scenes of confusion represented by the trumpets, the saints should be exceeding earnest with God to pour out a spirit of wisdom, piety, and zeal upon the churches amidst these confusions.” Revelation 8:3 And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne. Revelation 8:4 And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand. Revelation 8:4-6 . And the smoke of the incense ascended before God — In an odoriferous cloud, with the prayers of the saints — A testimony of God’s gracious acceptance, both of the intercession of the great High-Priest, and of the prayers of his believing people, proceeding from devout hearts; and consequently of the continuance of his protection and blessing to his faithful worshippers. And when the angel had performed this office, in order to show the awful manner in which God would avenge the injury which his praying people upon earth had received from its tyrannical and oppressive powers, he took the censer, and filled it with fire of the altar — Not of the golden altar, upon which there was no fire, (except that which was in the censer, and which burned the incense,) but from the brazen altar of burnt-offerings; and cast it into the earth — To denote the judgments about to be executed upon the earth, as in Ezekiel 10:2 coals of fire are taken from between the cherubim and scattered over Jerusalem, to denote the judgments of God about to be executed upon that city; and there were voices, and thunderings, and lightnings — Which seemed to break forth from the divine presence; and also an earthquake — The violent shock of which seemed to shake the foundation of the world; the usual prophetic signs these, and preludes of great calamities and commotions upon the earth. See Revelation 16:19 . Accordingly, this being mentioned here previous to the sounding of the trumpets, was intended to foretel that many calamities were approaching, which should afflict the world and the church, notwithstanding the seeming secure prosperity of both, after the Roman empire had become, in profession, Christian. And the seven angels prepared themselves to sound — As the seals foretold the state and condition of the Roman empire before and till it became Christian, so the trumpets foreshow the fate and condition of it afterward. The sound of the trumpet, as Jeremiah says, Jeremiah 4:19 , and as every one understands it, is the alarm of war; and the sounding of these trumpets is designed to rouse and excite the nations against the Roman empire, called the third part of the world, as perhaps including the third part of the world, and being seated principally in Europe, which was the third part of the world at that time. Revelation 8:5 And the angel took the censer, and filled it with fire of the altar, and cast it into the earth: and there were voices, and thunderings, and lightnings, and an earthquake. Revelation 8:6 And the seven angels which had the seven trumpets prepared themselves to sound. Revelation 8:7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up. Revelation 8:7 . The first angel sounded, and there followed hail and fire mingled with blood — A proper representation of great commotions and disorders, attended with much bloodshed, and the destruction of many of the several ranks and conditions of men. “A thunder-storm or tempest, that throws down all before it, is a fit metaphor to express the calamities of war, whether from civil disturbances or foreign invasion, which often, like a hurricane, lay all things waste as far as they reach. Accordingly, in the language of prophecy, this is a usual representation thereof. So the Prophet Isaiah expresses the invasion of Israel by Shalmaneser, king of Assyria, Isaiah 28:2 . And thus he expresses the judgments of God in general, Isaiah 29:6 . And in this way Ezekiel expresses the judgments of God on the prophets who deceived the people, Ezekiel 13:13 .” — Lowman. Trees here, says Mr. Waple, according to the prophetic manner of speech, signify the great ones, and grass, by the like analogy, signifies the common people. The reader will wish to see how this prophetic representation was verified in corresponding history. Let it be recollected then, as was stated in the notes on the opening of the sixth seal, Revelation 6:12-17 , that the former period put an end to the persecution of heathen Rome by the empire of Constantine, about A.D. 323. Then was a time of peace and rest to the empire, as well as the church; which answers well to the time appointed for sealing the servants of God in their foreheads. But this is represented as a short time, and the angels soon prepared themselves to sound when there would be new commotions to disturb the peace of the empire and church. Constantine came to the whole power of the empire about A.D. 323, and continued possessed of that power about fifteen years, namely to A.D. 337. During all this time the empire enjoyed a state of tranquillity unknown for many years; there were no civil disorders; and though the Goths made some incursions into Mysia, the most distant parts of the Roman dominions, they were soon driven back into their own country. The profession of Christianity was greatly encouraged, and the converts to it from idolatry were innumerable; so that the face of religion was in a very short time quite changed throughout the Roman empire. Thus the providence of God, notwithstanding all opposition, brought the Christian Church into a state of great security and prosperity. But on the death of Constantine the state of things was soon altered. He was succeeded by his three sons in different parts of his empire; by Constantine in Gaul, Constans in Italy, and Constantius in Asia and the East. Constantius in a short time sacrificed his father’s near relations to his jealousy and power; differences arose between Constantine and Constans, and the latter surprised the former and put him to death. Soon after Constans himself was put to death by Magnentius, who assumed the empire. At the same time Constantius, in the East, was hard pressed by the Persians; but apprehending greater danger from Magnentius, he marched against him; and the war between them was so fierce and bloody, that it almost ruined the empire. A little after this bloody intestine war all the Roman provinces were invaded at once, from the eastern to the western limits, by the Franks, Almans, Saxons, Quades, Sarmatians, and Persians; so that, according to Eutropius, when the barbarians had taken many towns, besieged, others, and there was everywhere a most destructive devastation, the Roman empire evidently tottered to its fall. It is a remarkable part of this history, that this storm of war fell so heavy on the great men of the empire, and in particular on the family of Constantine, though so likely to continue, seeing his own children and near relations were so many: and yet, in twenty-four years after his death these commotions put an end to his posterity, in the death of his three sons; and in three years more extinguished his family by the death of Julian in a battle against the Persians. The following reigns of Jovian, Valentinian, Valens, and Gratian, to the time when Gratian nominated Theodosius to the empire, are one continued series of trouble, by the invasion of the several provinces of the empire, and bloody battles in defence of them, for about the space of sixteen years, from the year 363 to 379. Thus Lowman, whose interpretation and application of this part of the prophecy are confirmed by Bishop Newton, save that the bishop considers this first trumpet as comprehending several events subsequent to those which Lowman includes in it. At the sounding of the first trumpet, says he, the barbarous nations, like a storm of hail and fire mingled with blood, invade the Roman territories, and destroy the third part of trees — That is, the trees of the third part of the earth; and the green grass — That is, both old and young, high and low, rich and poor together. Theodosius the Great died in the year 395; and no sooner was he dead, than the Huns, Goths, and other barbarians, like hail for multitude, and breathing fire and slaughter, broke in upon the best provinces of the empire, both in the east and west, with greater success than they had ever done before. But by this trumpet, I conceive, were principally intended the irruptions and depredations of the Goths, under the conduct of the famous Alaric, who began his incursions in the same year, 395; first ravaged Greece, then wasted Italy, besieged Rome, and was bought off at an exorbitant price; besieged it again in the year 410, took and plundered the city, and set fire to it in several places. Philostorgius, who lived and wrote of these times, saith, that “the sword of the barbarians destroyed the greatest multitude of men; and among other calamities, dry heats, with flashes of flame and whirlwinds of fire, occasioned various and intolerable terrors; yea, and hail greater than could be held in a man’s hand, fell down in several places, weighing as much as eight pounds.” Well therefore might the prophet compare these incursions of the barbarians to hail and fire mingled with blood. Claudian, in like manner, compares them to a storm of hail, in his poem on this very war. Jerome also saith, of some of these barbarians, “that they came on unexpectedly everywhere, and marching quicker than report, spared not religion, nor dignities, nor age, nor had compassion on crying infants: those were compelled to die, who had not yet begun to live.” So truly did they destroy the trees and the green grass together. These great calamities, which in so short a time befell the Roman empire after its being brought to the profession of Christianity, and in particular the family of Constantine, by whose instrumentality the great change in favour of Christianity had been effected, was a new and great trial of the faith, constancy, and patience of the church. As it became the wisdom and justice of Divine Providence to punish the wickedness of the world, which caused the disorders of those times, Christ was pleased in his goodness to forewarn the church of it, that it might learn to justify the ways of Providence, and not to faint under the chastisement which the abuse of the best religion in the world had rendered both proper and necessary: and when probably such afflictions, coming so soon after their great deliverance from the persecutions of heathen Rome, would be very unexpected, and the more discouraging. Revelation 8:8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; Revelation 8:8-9 . And the second angel sounded, and, as it were, a great mountain burning with fire — That is, a great warlike nation, or hero; for in the style of poetry, which is near akin to the style of prophecy, heroes are compared to mountains; was cast into the sea: and the third part of the sea became blood; and the third part of the creatures which were in the sea died — The sea, in the Hebrew language, is any collection of waters, as Daubuz observes: now, as waters are expressly made a symbol of people in this prophecy, Revelation 17:15 , the waters which thou sawest are people, and nations, and tongues; the sea here may well represent the collection of many people and nations into one body politic, or empire; and when a sea is considered as an empire or a collection of people into one body, the living creatures in that sea will be the people or nations whose union constitutes this empire. And the third part of the ships were destroyed — Ships, from their use in trade, are a proper representation of the riches of the people; and as they are of use in war, especially to maritime nations, they are proper emblems of strength and power. As ships were of both uses in the Roman empire, they may be well understood both of the riches and power of that empire. Thus we have a description, in this part of the second period of prophecy, of a judgment to come on the empire, in which the capital should suffer much, many provinces should be dismembered, as well as invaded, and the springs of power and riches in the empire should be very much diminished. And accordingly we find in history that this was indeed a most calamitous period. The year 400 is marked out as one of the most memorable and calamitous that had ever befallen the empire; and in the latter end of the year 406, the Alans, Vandals, and other barbarous people, passed the Rhine, and made the most furious irruption into Gaul that had yet been known; passed into Spain, and from thence over into Africa; so that the maritime provinces became a prey to them, and the riches and naval power of the empire were almost quite ruined. But the heaviest calamities fell upon Rome itself, besieged and oppressed with famine and pestilence. After Alaric and his Goths, the next ravagers were Attila and his Huns, who, for the space of fourteen years, shook the east and west with the most cruel fear, and deformed the provinces of each empire with all kinds of plundering, slaughter, and burning. They first wasted Thrace, Macedon, and Greece, putting all to fire and sword, and compelled the eastern emperor, Theodosius the second, to purchase a shameful peace. Then Attila turned his arms against the western emperor, Valentinian the third; entered Gaul with seven hundred thousand men, and, not content with taking and spoiling, set most of the cities on fire. But at length, being there vigorously opposed, he fell upon Italy, took and destroyed Aquileia, with several other cities, slaying the inhabitants, and laying the buildings in ashes, and filled all places between the Alps and the Appennines with flight, depopulation, slaughter, servitude, burning, and desperation. Such a man might properly be compared to a great mountain burning with fire, who really was, as he called himself, the scourge of God, and the terror of men, and boasted that he was sent into the world by God for this purpose, that, as the executioner of his just anger, he might fill the earth with all kinds of evils; and he bounded his cruelty and passion by nothing less than blood and burning. Revelation 8:9 And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed. Revelation 8:10 And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; Revelation 8:10-11 . An d the third angel sounded, and there fell a great star from heaven — Bengelius, and some other commentators, interpret this of Arius and his heresy, and the persecutions connected therewith; “and no doubt,” as Mr. Scott observes, “such events might very aptly be represented by the falling of a star, and its imbittering and poisoning the waters to the destruction of those who drank of them: yet the series of the prophecy favours the interpretation of those who explain these verses as predicting the continuation of those calamities which subverted the empire.” Stars, in prophetic style, are figurative representations of many things. Among others they signify kings and kingdoms, eminent persons of great authority and power. Rivers, and fountains of waters — To supply them, may be considered as necessary to the support of life; the drying up these expresses the scarcity of things necessary. Here then we have a prophecy which aptly expresses a judgment to come on the seat of the Roman empire, which should destroy the power of it in its spring and fountain, and cut off all its necessary supports; as when rivers and fountains, so necessary to life, are infected, and become rather deadly than fit for use. At the sounding of the third trumpet, says Bishop Newton, “a great prince appears like a star shooting from heaven to earth, a similitude not unusual in poetry. His coming therefore is sudden and unexpected, and his stay but short. The name of the star is called Wormwood, and he infects the third part of the rivers and fountains with the bitterness of wormwood — That is, he is a bitter enemy, and proves the author of grievous calamities to the Roman empire. The rivers and fountains have a near connection with the sea; and it was within two years after Attila’s retreat from Italy, that Valentinian was murdered; and Maximus, who had caused him to be murdered, reigning in his stead, Genseric, the king of the Vandals, having settled in Africa, was solicited by Eudoxia, the widow of the deceased emperor, to come and revenge his death. Genseric accordingly embarked with three hundred thousand Vandals and Moors, and arrived upon the Roman coast in June, 455, the emperor and people not expecting nor thinking of any such enemy. He landed his men, and marched directly to Rome; whereupon the inhabitants fleeing into the woods and mountains, the city fell an easy prey into his hands. He abandoned it to the cruelty and avarice of his soldiers, who plundered it for fourteen days together, not only spoiling the private houses and palaces, but stripping the public buildings, and even the churches, of their riches and ornaments. He then set sail again for Africa, carrying away with him immense wealth, and an innumerable multitude of captives, together with the Empress Eudoxia and her two daughters; and left the state so weakened, that in a little time it was utterly subverted. Some critics understand rivers and fountains with relation to doctrines; and in this sense the application is still very proper to Genseric, who was a most bigoted Arian, and during his whole reign most cruelly persecuted the orthodox Christians.” Revelation 8:11 And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter. Revelation 8:12 And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise. Revelation 8:12 . And the fourth angel sounded, and the third part of the sun was smitten, &c. — A fit representation to express the last desolation of the imperial city, which God’s righteous judgment doomed, as Babylon heretofore, to a loss of all power and of all authority. Darkening, smiting, or the setting of the sun, moon, and stars, says Sir I. Newton, are put for the setting of a kingdom, or the desolation thereof, proportional to the darkness. And when darkness is opposed to light, as light is a symbol of joy and safety, so darkness is a symbol of misery and adversity; according to the style of Jeremiah 13:16 , Give glory to the Lord before he cause darkness, and before your feet stumble upon the dark mountains, &c. The darkness of the sun, moon, and stars, is likewise observed to denote a general deficiency in government, as the prophets describe a day of severe judgment. See Isaiah 13:10-11 ; Ezekiel 32:7-8 . In pointing out the accomplishment of this prophecy, and showing how the great lights of the Roman empire were eclipsed and darkened, and remained in darkness, Bishop Newton observes, Genseric left the western empire in a weak and desperate condition. It struggled hard, and gasped, as it were, for breath, through eight short and turbulent reigns, for the space of twenty years, and at length expired in the year 476, under Momyllus, or Augustulus, as he was named in derision, being a diminutive Augustus. This change was effected by Odoacer, king of the Heruli, who, coming to Rome with an army of barbarians, stripped Momyllus of the imperial robes, put an end to the very name of the western empire, and caused himself to be proclaimed king of Italy. His kingdom indeed was of no long duration: for after a reign of sixteen years, he was overcome and slain in the year 493 by Theodoric, who founded the kingdom of the Ostrogoths in Italy, which continued about sixty years under his successors. Thus was the Roman sun extinguished in the western emperor, but the other lesser luminaries, the moon and stars, still subsisted; for Rome was still allowed to have her senate and consuls, and other subordinate magistrates, as before. These lights, we may suppose, shone more faintly under barbarian kings than under Roman emperors; but they were not totally suppressed and extinguished till after the kingdom of the Ostrogoths was destroyed by the emperor of the east’s lieutenants, and Italy was made a province of the eastern empire. Longinus was sent in the year 556 by the Emperor Justin II. to govern Italy with absolute authority; and he changed the whole form of the government, abolished the senate and consuls, and all the former magistrates in Rome and Italy, and in every city of note constituted a new governor with the title of duke. He himself presided over all; and, residing at Ravenna, and not at Rome, he was called the exarch of Ravenna, as were also his successors in the same office. Rome was degraded to the same level with other places, and, from being the queen of cities and empress of the world, was reduced to a poor dukedom, and made tributary to Ravenna, which she had used to govern. Revelation 8:13 And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound! Revelation 8:13 . And I beheld an angel flying through the midst of heaven — Between the trumpets of the fourth and fifth angels; saying with a loud voice — That is, proclaiming for the information of all, Wo, wo, wo, to the inhabitants of the earth — All, without exception: heavy calamities were coming on all; by reason of the other voices of the trumpet, &c. — As if he had said, Though the judgments signified by the four trumpets which have already sounded are very great and dreadful, yet greater judgments still remain to be inflicted on the earth, in the events that are to follow upon sounding the three remaining trumpets. Several interpreters suppose this part of the vision to be a representation of some faithful witnesses against the superstition, idolatry, and growing corruptions of those times; and that the dreadfulness of the woes of the three remaining trumpets is proclaimed to the corrupt members of the church, because as they were endued, by the divine revelation, with more knowledge than before, being all Christians by name, they therefore deserved to suffer more for their crimes than plain heathen, such as were chiefly concerned in the former judgments. Be this as it may, whether this angel was designed to represent any such faithful witnesses against these corruptions, and to signify that such should arise, or not, it must at least be allowed, as Bishop Newton observes, that the design of this messenger, in conformity with the design of the angels that sounded the preceding trumpets, was to raise men’s attention especially to the three following trumpets, predicting events of a more calamitous nature, or more terrible plagues, than any of the preceding, and therefore distinguished from them by the name of woes. And they are not woes of a light or common nature, but such in the extreme; for the Hebrews, having no superlative degree, in the manner of other languages, express their superlative by repeating the positive three times, as in this place. The foregoing calamities relate chiefly to the downfall of the western empire, the two following to the downfall of the eastern empire. The foregoing are described more succinctly, and contain a less compass of time; the following are set forth with more particular circumstances, and are of longer duration, as well as larger description. Benson Commentary on the Old and New Testaments Text Courtesy of BibleSupport.com . Used by Permission.

Expositor's Bible Commentary Revelation 8:1 And when he had opened the seventh seal, there was silence in heaven about the space of half an hour. CHAPTER VI. THE FIRST SIX TRUMPETS. Revelation 8:1-13 ; Revelation 9:1-21 . THE two consolatory visions of chap. 7 have closed, and the Seer returns to that opening of the seven Seals which had been interrupted in order that these two visions might be interposed. Six Seals had been opened in chap. 6; the opening of the seventh follows: - "And when He opened the seventh seal, there followed silence in heaven about the space of half an hour. And I saw the seven angels which stand before God; and there were given unto them seven trumpets. And another angel came and stood over the altar, having a golden censer; and there was given unto him much incense, that he should give it unto the prayers of all the saints upon the golden altar which was before the throne. And the smoke of the incense, with the prayers of the saints, went up before God out of the angel’s hand. And the angel taketh the censer; and he filled it with the fire of the altar, and cast it upon the earth: and there followed thunders, and voices, and lightnings, and an earthquake. And the seven angels which had the seven trumpets prepared themselves to sound ( Revelation 8:1-6 )." Before looking at the particulars of this Seal, we have to determine the relation in which it stands to the Seals of chap. 6 as well as to the visions following it. Is it as isolated, as independent, as those that have come before it; and are its contents exhausted by the first six verses of the chapter? or does it occupy such a position of its own that we are to regard the following visions as developed out of it? And if the latter be the case, how far does the development extend? In answering these questions, it can hardly be denied that if we are to look upon the seventh Seal as standing independent and alone, its contents have not the significance which we seem entitled to expect. It is the last Seal of its own series; and when we turn to the last member of the Trumpet series at Revelation 11:15 , or of the Bowl series at Revelation 16:17 , we find them marked, not by less, but by much greater, force than had belonged in either case to the six preceding members. The seventh Trumpet and the seventh Bowl sum up and concentrate the contents of their predecessors. In the one the judgments of God represented by the Trumpets, in the other those represented by the Bowls, culminate in their sharpest expression and their most tremendous potency. There is nothing of that kind in the seventh Seal if it terminates with the preparation of the Trumpet angels to sound; and the analogy of the Apocalypse therefore, an analogy supplying in a book so symmetrically constructed an argument of greater than ordinary weight, is against that supposition. Again, the larger portion of the first six verses of this chapter does not suggest the contents of the Seal Rather would it seem as if these contents were confined to the "silence" spoken of in Revelation 8:1 , and as if what follows from Revelation 8:2-6 were to be regarded as no part of the Seal itself, but simply as introductory to the Trumpet visions. Everything said bears upon it the marks of preparation for what is to come, and we are not permitted to rest in what is passing as if it were a final and conclusive scene in the great spectacle presented to the Seer. For these reasons the view often entertained that the visions to which we proceed are developed out of the seventh Seal may be regarded as correct. If so, how far does the development extend? The answer invariably given to this question is, To the end of the Trumpets. But the answer is not satisfactory. The general symmetry of the Apocalypse militates against it There is then no correspondence between the last Trumpet and the last Seal, nothing to suggest the thought of a development of the Bowls out of the seventh Trumpet in a manner corresponding to the development of the Trumpets out of the seventh Seal In these circumstances the only probable conclusion is that both the Bowls and the Trumpets are developed out of the seventh Seal, and that that development does not close until we reach the end of chap. 16. If what has now been said be correct, it will throw important light upon the relation of the Seals to the two series of the Trumpets and the Bowls taken together; while, at the same time, it will lend us valuable aid in the interpretation of all the three series. Returning to the words before us, it is said that, at the opening of the seventh Seal, there followed silence in heaven about the space of half an hour. This silence may perhaps include a cessation even of the songs which rise before the throne of God from that redeemed creation the voice of whose praise rests not either day or night.1 Yet it is not necessary to think so. The probability rather is that it arises from a cessation only of the "lightnings and voices and thunders" which at Revelation 4:5 proceed out of the throne, and which are resumed at Revelation 8:5 of the present chapter, when the fire of the altar is cast from the angel’s censer upon the earth. A brief suspension of judgment is thereby indicated, a pause by and during which the Almighty would call attention to the manifestations of His wrath about to follow. The exact duration of this silence, "about the space of half an hour," has never been satisfactorily explained; and the general analogy of St John’s language condemns the idea of a literal interpretation. We shall perhaps be more in accordance with the spirit in which the Revelation is written if we consider - (1) that in that book the half of anything suggests, not so much an actual half, as a broken and interrupted whole, five a broken ten, six a broken twelve, three and a half a broken seven; (2) that in the Gospel of St. John we find on more than one occasion mention made of an "hour" by which at one time the actions, at another the sufferings, of Jesus are determined: "Woman, what have I to do with thee? Mine hour is not yet come;" "Father, save Me from this hour: but for this cause came I unto this hour."2 The "hour" of Jesus is thus to St. John the moment at which action, having been first resolved on by the Father, is taken by the Son; and a "half-hour" may simply denote that the course of events has been interrupted, and that the instant for renewed judgment has been delayed. Such an interpretation will also be in close correspondence with the verses following, as well as with what we have seen to be the probable meaning of the "silence" of Revelation 8:1 . Preparation for action, rather than action, marks as yet the opening of the seventh Seal. (1 Revelation 4:8 ; 2 John 2:4 ; John 12:27 ) That preparation is next described. St. John saw seven trumpets given to the seven angels which stand before God . In whatever other respects these seven angels are to be distinguished from the hosts of angels which surround the throne, the commission now given shows that they are angels of a more exalted order and a more irresistible power. They are in fact the expression of the Divine Judge of men, or rather of the mode in which He chooses by judgment to express Himself. We are not even required to think of them as numerically seven, for seven in its sacred meaning is the number of unity, though of unity in the variety as well as the combination of its agencies. The "seven Spirits of God" are His one Spirit; the "seven churches," His one Church; the "seven horns" and "seven eyes" of the Lamb, His one powerful might and His one penetrating glance. In like manner the seven Seals, the seven Trumpets, and the seven Bowls embody the thought of many judgments which are yet in reality one. Thus also the angels here are seven, not because literally so, but because that number brings out the varied forms as well as the essential oneness of the action of Him to whom the Father has given "authority to execute judgment, because He is a Son of man."* (* John 5:27 ) As yet the seven trumpets have only been given to the seven angels. More has to pass before they put them to their lips and sound. Another angel is seen who came and stood over the altar, having a golden censer in his hand. At the opening of the fifth Seal we read of an "altar" which it was impossible not to identify with the great brazen altar, the altar of burnt-offering, in the outer court of the sanctuary. Such identification is not so obvious here; and perhaps a majority of commentators agree in thinking that the altar now spoken of is rather the golden or incense altar which had its place within the Tabernacle, immediately in front of the second veil. To this altar the priest on ordinary occasions, and more particularly the high-priest on the great Day of Atonement, brought a censer with burning frankincense, that the smoke of the incense, as it rose into the air, might be a symbol to the congregation of Israel that its prayers, offered according to the Divine will, ascended as a sweet savour to God. It is possible that this may be the altar meant; yet the probabilities of the case rather lead to the supposition that allusion is made to the altar of sacrifice in the Tabernacle court; for (1) when the Seer speaks here and again in Revelation 8:5 of "the altar," and in Revelation 8:3 of "the golden altar," he seems to distinguish between the two. (2) The words fire of the altar are in favor of the same conclusion. According to the ritual of the Law, it was from the brazen altar that fire was taken in order to kindle the incense,1 while at the same time fire continually burned upon that altar, but not upon the altar within the Tabernacle. (3) The thought represented by the symbolism seems to be that the sufferings of the saints gave efficacy to their prayers, and drew down the answer of Him who says, "Call upon Me in the day of trouble, and I will answer thee, and thou shalt glorify Me."2 (4) The words of Revelation 8:3 , the prayers of all the saints, and the similar expression in Revelation 8:4 , remind us of the prayers of the fifth Seal, now swelled by the prayers of those New Testament saints who have been added to "the blessed fellowship" of the Old Testament martyrs. These prayers, it will be remembered, rose from beneath the altar of burnt-offering; and it is natural to think that the same altar is again alluded to in order to bring out the idea of a similar martyrdom. What we see, therefore, is an angel taking the prayers and adding to them much incense, so that we may behold them as they ascend up before God and receive His answer. (1 Smith’s Dictionary of the Bible, INCENSE ; 2 Psalm 50:15 ) Further, it ought to be observed that the prayers referred to are for judgment upon sin. There is nothing to justify the supposition that they are partly for judgment upon, partly for mercy to, a sinful world. They are simply another form of the cry, "How long, O Master, the holy and true, dost Thou not judge and avenge our blood on them that dwell on the earth?"* They are a cry that God will vindicate the cause of righteousness. (* Revelation 6:10 ) The cry is heard, for the angel takes of the fire of the altar on which the saints had been sacrificed as an offering to God, and casts it into the earth, that it may consume the sin by which it had been kindled. The lex talionis again starts to view; not merely punishment, but retribution, the heaviest of all retribution, because it is accompanied by a convicted conscience, retribution in kind. Everything is now ready for judgment, and the seven angels which had the seven trumpets prepare themselves to sound: - "And the first sounded, and there followed hail and fire mingled with blood, and they were cast into the earth: and the third part of the earth was burnt up, and the third part of the trees was burnt up, and all green grass was burnt up ( Revelation 8:7 )." To think, in interpreting these words, of a literal burning up of a third part of the "earth," of the "trees," and of the "green grass," would lead us astray. Comparing the first Trumpet with those that follow, we have simply a general description of judgment as it affects the land in contradistinction to the sea, the rivers and fountains of water, and the heavenly bodies by which the earth is lighted. The punishment is drawn down by a guilty world upon itself when it rises in opposition to Him who at first prepared the land for the abode of men, planted it with trees pleasant to the eye, cast over it its mantle of green, and pronounced it to be very good. Of every tree of the garden, except the tree of the knowledge of good and evil, might our first parents eat; while grass covered the earth for their cattle, and herb for their service. All nature was to minister to the wants of man, and in cultivating the garden and the field he was to find light and happy labor. But sin came in. Thorns and thistles sprang up on every side. Labor became a burden, and the fruitful field was changed into a wilderness which could only be subdued by constant, patient, and often-disappointed toil. This is the thought - a thought often dwelt upon by the prophets of the Old Testament - that is present to the Seer’s mind. One of the plagues of Egypt, however, may also be in his eye. When the Almighty would deliver His people from that land of their captivity, "He sent thunder and hail, and the fire ran along upon the ground; and the Lord rained hail upon the land of Egypt. So there was hail, and fire mingled with the hail, very grievous. . . . And the hail smote throughout all the land of Egypt all that was in the field, both man and beast; and the hail smote every herb of the field, and broke every tree of the field."* That plague the Seer has in his mind; but he is not content to use its traits alone, terrible as they were. The sin of a guilty world in refusing to listen to Him who speaks from heaven is greater than was the sin of those who refused Him that spake on earth, and their punishment must be in proportion to their sin. Hence the plague of Egypt is magnified. We read, not of hail and fire only, but of hail and fire mingled with (or rather in ) blood, so that the blood is the outward and visible covering of the hail and of the fire. In addition to this, we have the herbs and trees of the field, not merely smitten and broken, but utterly consumed by fire. What is meant by the "third part" of the earth and its products being attacked it is difficult to say. The probability is that, as a whole consists of three parts, partial destruction only is intended, yet not destruction of a third part of the earth, leaving two-thirds untouched; but a third part of the earth and of its produce is everywhere consumed. (* Exodus 9:23-25 ) The second Trumpet is now blown: - "And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; and there died the third part of the creatures which were in the sea, even they that had life; and the third part of the ships was destroyed ( Revelation 8:8-9 )." As the first Trumpet affected the land, so the second affects the sea ; and the remarks already made upon the one destruction are for the most part applicable to the other. The figure of removing a mountain from its place and casting it into the sea was used by our Lord to express what beyond all else it was impossible to accomplish by mere human power: "Verily I say unto you, If ye have faith, and doubt not, ye shall not only do what is done to the fig tree, but even if ye shall say unto this mountain, Be thou taken up and cast into the sea, it shall be done."l In so speaking, our Lord had followed the language of the prophets, who were accustomed to illustrate by the thought of the removal of mountains the greatest acts of Divine power: "What art thou, O great mountain? before Zerubbabel thou shalt become a plain;" "Therefore will we not fear, though the mountains be carried into the midst of the seas."2 (1 Matthew 21:21 ; 2 Zechariah 4:7 ; Psalm 46:2 ) Even the figure of a "burnt mountain" is not strange to the Old Testament, for the prophet Jeremiah thus denounces woe on Babylon: "Behold, I am against thee, O destroying mountain, saith the Lord, which destroyest all the earth: and I will stretch out Mine hand upon thee, and roll thee down from the rocks, and make thee a burnt mountain."* (* Jeremiah 51:25 ) The plagues of Egypt, too, are again taken advantage of by the Seer, for in the first of these Moses "lifted up the rod, and smote the waters that were in the river; . . . and all the waters that were in the river were turned to blood. And the fish that was in the river died; and the river stank, and the Egyptians could not drink of the water of the river; and there was blood throughout all the land of Egypt."* Here, however, the plague is extended, embracing as it does not only the river of Egypt, but the sea, with all the ships that sail upon it, and all its fish. Again also, as before, the "third part" is not to be thought of as confined to one region of the ocean, while the remaining two-thirds are left untouched. It is to be sought everywhere over the whole compass of the deep. (* Exodus 8:20-21 ) The third Trumpet is now blown: - "And the third angel sounded, and there fell from heaven a great star, burning as a torch, and it fell upon the third part of the rivers, and upon the fountains of the waters; and the name of the star is called Wormwood: and the third part of the waters became worm wood; and many men died of the waters, because they were made bitter ( Revelation 8:10-11 )." The third Trumpet is to be understood upon the same principles and in the same general sense as the two preceding Trumpets. The figures are again such as meet us in the Old Testament, though they are used by the Seer in his own free and independent way. Thus the prophet Isaiah, addressing Babylon in his magnificent description of her fall, exclaims, "How art thou fallen from heaven, O Lucifer, son of the morning!"1 and thus also the prophet Jeremiah denounces judgment upon rebellious Israel: "Therefore thus saith the Lord of hosts, the God of Israel; Behold, I will feed them, even this people, with wormwood, and give them water of gall to drink."2 The bitter waters of Marah also lived in the recollections of Israel as the first, and not the least terrible, punishment of the murmuring of their fathers against Him who had brought them out into what seemed but a barren wilderness, instead of leaving them to quench their thirst by the sweet waters of the Nile.3 Thus the waters which the world offers to its votaries are made bitter, so bitter that they become wormwood itself, the very essence of bitterness. Again the "third part" of them is thus visited, but this time with a feature not previously mentioned: the destruction of human life, - many men died of the waters. Under the first Trumpet only inanimate nature was affected; under the second we rose to creatures that had life; under the third we rise to "many men." The climax ought to be noticed, as illustrating the style of the Apostle’s thought and aiding us in the interpretation of his words. A similar climax may perhaps also be intended by the agents successively employed under these Trumpets: hail and fire, a great mountain burning, and a falling star. (1 Isaiah 14:12 ; 2 Jeremiah 9:15 ; 3 Exodus 15:23 ) The fourth Trumpet is now blown: - "And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; that the third part of them should be darkened, and the day should not shine for the third part of it, and the night in like manner ( Revelation 8:12 )." This Trumpet offers no contradiction to what was previously said, that the first four members of the three series of Seals, of Trumpets, and of Bowls deal with the material rather than the spiritual side of man, with man as a denizen of this world rather than of the next. The heavenly bodies are here viewed solely in their relation to earth and its inhabitants. As to the judgment, it rests, like those of the first and second Trumpets, upon the thought of the Egyptian plague of darkness: "And the Lord said unto Moses, Stretch out thine hand toward heaven, that there may be darkness over the land of Egypt, even darkness that may be felt And Moses stretched forth his hand toward heaven; and there was a thick darkness in all the land of Egypt three days: they saw not one another, neither rose any from his place for three days: but all the children of Israel had lights in their dwellings."* The trait of the Egyptian plague alluded to in this last sentence is not mentioned here; and we have probably, therefore, no right to say that it was in the Seer’s thoughts. Yet it is in a high degree probable that it was; and at all events his obvious reference to that plague may help to illustrate an important particular to be afterwards noticed, that all the Trumpet judgments fall directly upon the world, and not the Church. As under the first three Trumpets, the third part of the light of sun, and moon, and stars is alone darkened. (* Exodus 10:21-23 ) The first four Trumpets have now been blown, and we reach the line of demarcation by which each series of judgments is divided into its groups of four and three. That line is drawn in the present instance with peculiar solemnity and force: - "And I saw, and I heard an eagle flying m mid-heaven, saying with a, great voice, Woe, woe, woe, for them that dwell on the earth by reason of the other voices of the three angels who are yet to sound ( Revelation 8:13 )." Attention ought to be paid to the fact that the cry uttered in mid-heaven, and thus penetrating to the most distant corners of the earth, proceeds from an eagle, and not, as in the Authorized Version, from an "angel;" and the eagle is certainly referred to for the purpose of adding fresh terror to the scene. If we would enter into the Seer’s mind, we must think of it as the symbol of rapine and plunder. To him the prominent characteristic of that bird is not its majesty, but its swiftness, its strength, and its hasting to the prey.* (*Comp. Job 9:26 ) Thus ominously announced, the fifth Trumpet is now blown: - "And the fifth angel sounded, and I saw a star out of heaven fallen unto the earth: and there was given to him the key of the well of the abyss. And he opened the well of the abyss; and there went up a smoke out of the well, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the well. And out of the smoke came forth locusts upon the earth: and power was given them, as the scorpions of the earth have power. And it was said unto them that they should not hurt the grass of the earth, neither any green thing, neither any tree; but only such men as have not the seal of God on their foreheads. And it was given them that they should not kill them, but that they should be tormented five months: and their torment was as the torment of a scorpion, when it striketh a man. And in those days men shall seek death, and shall in no wise find it; and they shall desire to die, and death fleeth from them. And the shapes of the locusts were like unto horses prepared for war, and upon their heads as it were crowns like unto gold, and their faces were as faces of men. And they had hair as the hair of women, and their teeth were as the teeth of lions. And they had breastplates, as it were breastplates of iron; and the sound of their wings was as the sound of chariots of many horses rushing to war. And they have tails like unto scorpions, and stings: and in their tails is their power to hurt men five months. They have over them as king the angel of the abyss: his name in Hebrew is Abaddon, and in the Greek tongue he hath the name Apollyon ( Revelation 9:1-11 )." Such is the strange but dire picture of the judgment of the fifth Trumpet; and we have, as usual, in the first place, to look at the particulars contained in it. As in several previous instances, these are founded upon the plagues of Egypt and the language of the prophets. In both these sources how terrible does a locust plague appear! In Egypt - "And the Lord said unto Moses, Stretch out thine hand over the land of Egypt for the locusts, that they may come up upon the land of Egypt, and eat every herb of the land, even all that the hail hath left. And Moses stretched forth his rod over the land of Egypt, and the Lord brought an east wind upon the land all that day, and all that night; and when it was morning, the east wind brought the locusts. And the locusts went up over all the land of Egypt, and rested in all the coasts of Egypt: very grievous were they; before them there were no such locusts as they, neither after them shall be such. For they covered the face of the whole earth, so that the land was darkened; and they did eat every herb of the land, and all the fruit of the trees which the hail had left: and there remained not any green thing in the trees, or in the herbs of the field, through all the land of Egypt."1 Darker even than this is the language of the prophet Joel. When he sees locusts sweeping across a land, he exclaims, "The land was as the garden of Eden before them, and behind them a desolate wilderness;"2 and from their irresistible and destructive ravages he draws not a few traits of the dread events by which the coming of the day of the Lord shall be accompanied: "The appearance of them is as the appearance of horses; and as horsemen, so shall they run. Like the noise of chariots on the tops of mountains shall they leap, like the noise of a flame of fire that devoureth the stubble, as a strong people set in battle array. . . . They shall run like mighty men; they shall climb the wall like men of war; and they shall march everyone on his ways, and they shall not break their ranks. . . . They shall run to and fro in the city; they shall run upon the wall, they shall climb up upon the houses; they shall enter in at the windows like a thief. The earth shall quake before them; the heavens shall tremble: the sun and the moon shall be dark, and the stars shall withdraw their shining."3 (1 Exodus 10:12-15 ; 2 Joel 2:3 ; 3 Joel 2:4-10 ) It is no doubt true that in the description before us the qualities of its locusts are preternaturally magnified, but that is only what we might expect, and it is in keeping with the mode in which other figures taken from the Old Testament are treated in this book. There is a probability, too, that each trait of the description had a distinct meaning to St. John, and that it represents some particular phase of the calamities he intended to depict. But it is hardly possible now to discover such meanings; and that the Seer had in view general evil as much at least as evil in certain special forms is shown by the artificiality of structure marking the passage as a whole. For the description of the locusts is divided into three parts, the first general, the second special, the third the locust-king. The special characteristics of the insects, again, are seven in number: (1) upon their heads as it were crowns like unto gold; (2) and their faces were as faces of men; (3) and they had hair as the hair of women; (4) and their teeth were as the teeth of lions; (5) and they had breastplates, as it were breastplates of iron; (6) and the sound of their wings was as the sound of many chariots; (7) and they have tails like unto scorpions, and stings. Whether the period of five months, during which these locusts are said to commit their ravages, is fixed on because the destruction caused by the natural insect lasts for that length of time, or for some other reason unknown to us, it is difficult to determine. There is a want of proof that a locust-plague generally continues for the number of months thus specified, and it is otherwise more in accordance with the style of the Apocalypse to regard that particular period of time as simply denoting that the judgment has definite limits. One additional particular connected with the fifth Trumpet ought to be adverted to. It will be noticed that the well of the abyss whence the plague proceeds is opened by a star fallen (not "falling") out of heaven, to which the key of the well was given. We have here one of those contrasts of St. John a due attention to which is of such importance to the interpreter. This "fallen star" is the contrast and counterpart of Him who is "the bright, the morning star," and who "has the keys of death and of Hades."* (* Revelation 22:16 ; Revelation 1:18 ) At this point the sixth angel ought to sound; but we are now in the midst of the three last woes, and each is of so terrible an import that it deserves to be specially marked. Hence the words of the next verse: - "The first Woe is past; behold, there come yet two Woes hereafter ( Revelation 9:12 )." This warning given, the sixth Trumpet is now blown: - "And the sixth angel sounded, and I heard a voice from the horns of the golden altar which is before God, one saying to the sixth angel which had the trumpet, Loose the four angels which are bound at the great river Euphrates. And the four angels were loosed, which had been prepared for the hour, and day, and month, and year, that they should kill the third part of men. And the number of the armies of the horsemen was twice ten thousand times ten thousand; I heard the number of them. And thus I saw the horses in the vision, and them that sat on them, having breastplates as of fire, and of hyacinth, and of brimstone. By these three plagues was the third part of men killed, by the fire, and the smoke, and the brimstone, which proceeded out of their mouths. For the power of the horses is in their mouth, and in their tails: for their tails are like unto serpents, and with them they do hurt. And the rest of mankind which were not killed with these plagues repented not of the works of their hands, that they should not worship demons, and the idols of gold, and of silver, and of brass, and of stone, and of wood: which can neither see, nor hear nor walk: and they repented not of their murders, nor of their sorceries, nor of their fornication, nor of their thefts. ( Revelation 9:13-21 )." There is much in this Trumpet that is remarkable even while we confine ourselves to the more outward particulars contained in it. Thus we are brought back by it to the thought of those prayers of the saints to which all the Trumpets are a reply, but which have not been mentioned since the blowing of the Trumpets began.1 Once more we read of the golden altar which was before God y in His immediate presence. On that altar the prayers of all the saints had been laid, that they might rise to heaven with the much incense added by the angel, and might be answered in God s own time and way. The voice heard from the four horns of this altar that is, from the four projecting points at its four corners, representing the altar in its greatest potency shows us, what we might have been in danger of forgetting, that the judgment before us continues to be an answer of the Almighty to His people s prayers. Again it may be noticed that in the judgment here spoken of we deal once more with a third part of the class upon which it falls. Nothing of the kind had been said under the fifth Trumpet. The inference to be drawn from these particulars is important We learn that, however distinct the successive members of any of the three series of the Seals, the Trumpets, or the Bowls may seem to be, they are yet closely connected with one another. Though seven in number, there is a sense in which they are also one; and any characteristic thought which appears in a single members of the series ought to be carried through all its members. (* Revelation 9:3-5 ) The judgment itself is founded, as in the others already considered, upon thoughts and incidents connected with Old Testament history. The first of these is the river Euphrates. That great river was the boundary of Palestine upon the north east "In the same day the Lord made a covenant with Abram, saying, Unto thy seed have I given this land, from the river of Egypt unto the great river, the river Euphrates;"1 and in the days of Solomon this part of the covenant appears to have been fulfilled, for we are told that "Solomon reigned over all kingdoms from the river" (that is, the Euphrates) "unto the land of the Philistines, and unto the border of Egypt."2 The Euphrates, however, was not only the boundary between Israel and the Assyrians. It was also Israel’s line of defense against its powerful and ambitious neighbour, who had to cr